These options accommodate different streaming needs and budgets. Let’s look at some examples of microphones that are well suited for live streaming. Applying a pop filter to your microphone results in the clearer sound of your voice on the viewer’s end. It’s most often used in recording studios to eliminate any popping sounds that occur when the airflow bumps into the microphone. Pop filterĪ pop filter, also called a pop screen or pop shield, is a noise protection filter for microphones. TS/TRS/TRRS microphones are, therefore, best suited for mobile streamers. The sound quality of these microphones is usually worse than that of XLR mics. This connection method is used to plug your microphone into mobile phones, tablets and laptops. Last, don’t forget about TS/TRS/TRRS-based microphones. This long life is reflected in the price, however, making XLR microphones the most expensive on the market. Second, XLR cables are more robust and durable than USB connections, so they last longer. With this additional investment, you’ll get more control over the sound - thus better overall sound quality. You need to buy a mixer or audio interface to plug in an XLR microphone. First, you cannot connect an XLR mic directly to your PC. The two most common mic connection methods for streaming are XLR and USB, and they have some substantial differences. A bidirectional microphone is especially useful for live streaming interviews, as it can pick up both your speech and your guest’s. This means a bidirectional microphone will pick up any sound from two sides: the front of the microphone and the back. Bidirectional microphones have a so-called figure eight type of sound capture. However, it will pick up all undesired background noises along with your speech. The bright side is that you don’t need to aim an omnidirectional microphone at the source of the sound. This means they evenly pick up sound from 360 degrees. Omnidirectional microphones are equally sensitive to sound from every direction. However, it is harder to place and aim these microphones accurately. They are the most common choice for live streaming, as they block sounds such as a loud fan or the clatter of your mechanical keyboard.Ĭardioid subtypes, known as super-cardioid and hyper-cardioid, have narrower sound sensibility angles and a greater ability to reject ambient sound. Cardioid microphones isolate unwanted ambient sound, as well as any other unwanted sounds, from the back of the microphone. A classic cardioid microphone picks up the sound from the front. The three polar patterns you need to know are cardioid, omnidirectional and bidirectional. Simply put, a polar pattern is the ability of a microphone to pick up your voice from different angles. Polar patternĪ polar pattern, also known as directional property, is the inherent sensitivity to the direction of audio waves. Anything lower or higher than these spectrum extremes is pretty much useless, as the human voice simply cannot produce such frequencies. Typically, the golden standard for frequency response is from 20 Hz to 20,000 Hz. It’s measured in hertz (Hz) and kilohertz (kHz), from the lowest frequencies to the highest. Frequency responseįrequency response is the range of voice frequencies your microphone can pick up. Here are four characteristics to consider when choosing a microphone for live streaming.
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